November 5 – November 21
Emile Zile’s practice examines the effects of the mediation of experience through communications technology. Building on a background of live and single-channel video, his work utilises site-specific performance, portraiture and filmmaking to capture the traces of humanity inscribed on the remnants of a digital culture.
For his exhibition Desktops at Fort Delta, Zile further explores our attraction to communications technology and their ability to translate and encode our lived experience through a series of assemblages, constructed from office furnishings and other objects related to white-collar labour, self-help eBooks and online gaming communities. Zile has created desktop assemblages – each desktop signifying the absence of an occupant. The desktops themselves appear isolated from domestic or workplace environments and exude their own atmospheric qualities. They simultaneously suspend and assume narratives intrinsic to their inhabitants for us to ponder in the same way we might suppose the identity of someone we communicate with online, where they are, and what it looks like.
Accompanying these 3D assemblages is a suite of digital prints Zile has produced for the exhibition. These works appear as computer screen captures, search term collages and algorithmic portraiture. They build narratives within and between disparate collections of images selected and composed by Zile. By making his source material visible to us on the immediate and live platform of his computer desktop, Zile also reveals the performative framework for online viewing and consumption as a highly selective and editable one, where image-poetics emerge through the creative transparency of the screen.
Zile’s interest in activating site-specific performativity is also explored in Desktops through his request to insert the Gallery’s office desk into his allocated exhibition space. By revealing a commonly private and ancillary zone to us as a juxtaposed physical situation, ZIle allows for gallery administration and commerce to activate and inform his exhibition in real time – enabling a playing-out of site-specific performance politics to coalesce as real and represented exhibition content.
Desktops will be open to view from November 5th until the 21st. A closing performance by Emile Zile will occur at 5.00pm on the exhibition’s last day – Saturday November 21st.
Emile received a BFA degree from RMIT Media Arts Melbourne before relocating to Amsterdam in 2007 to commence a MFA degree at the Sandberg Institute. In 2012 he began a two year studio residency at the Rjksakademie van beldeende kunsten, Amsterdam. Recent exhibitions, screenings and performances include National Gallery of Victoria Australia, ICA London, Fargfabriken Stockholm, MCA Sydney, Rojo Nova Sao Paulo Brazil, International Film Festival Rotterdam.